Jacob Church
MFA ’25 Photography
In my photographs of American towns, I seek to pose questions about the complicated relationship between community and individuals. I look at how our built environment serves as a sort of language, communicating at once a community’s values, desires, and sometimes disenfranchisement. Defined in part by my identity as a working class American, I use the camera as a tool to evaluate my relationship to American histories and beliefs.
My ongoing project Loon integrates observation and memoir. Photographing in New England, I trace recollections of my childhood against the contemporary condition of a region widely associated with early American history. I see the state of things on the surfaces of buildings, painted on cars, and in the faces of strangers on the street. This work is about a kind of harmony where mundane places, people, and things radiate a similar melancholic bliss. If there is a through line or a certain kind of beauty, it’s one of love tethered to discontent, tenderness in rough places, and unconscious longing.
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